ABOUT US
I’m Simon (he/him) — the one behind the lens shaping how every story looks, feels, and moves.
I’ve been married for 15 years and I’m a dad of three. They keep me grounded, chaotic, and constantly aware that control is mostly a myth. One teenager who communicates primarily through eye rolls. One walking bundle of charm and noise. One fiercely creative soul who sees the world sideways. All neuro-spicy. All brilliantly weird. Just like their parents. I wouldn’t change a thing.
I’m a feminist. An LGBTQIA+ ally. An atheist. Proudly dyslexic. My own particular flavour of neurodivergent. None of that is a disclaimer — it’s context. I believe in people. In equality. In letting everyone feel seen, safe, and taken seriously. That belief runs through everything I make, on and off camera.
Music was my first obsession. My grandad’s darkroom eventually became my music room, and somewhere between sound and image I figured out how I wanted to tell stories. As a teenager I lived behind a drum kit or half-learned instruments, trying to balance instinct with structure. Reckless then. Calmer now. Still restless. Still chasing feeling.
At university I learned how to bring emotion, sound, and visuals together so they move as one. That’s what I care about — not just what you see, but what stays with you. That’s the thread running through every elopement film and gallery we make.
If you’re reading this, there’s a good chance you’re thinking about eloping in Scotland. Not because it’s pretty — but because it feels old, honest, and unbothered by performance. I understand that pull completely.
I love Scotland for its wild edges and deep history, but also for its progressive heart — the way it lets people exist as they are. Whether you want city streets, quiet corners, or somewhere remote enough to disappear for a while, I want to help you find your version of this place.
Not the postcard one.
The one that feels like home — even if only for a day.
“I care about creating *Scotland elopement films and photographs that actually mean something. Personal. Honest. Real.”
- SIMON
* And yes, I really did just key stuff my own quote
“I could go on for a long time trying to describe how brilliant Simon and Gregg were, but simply put, they contributed so much to us having such a fantastic and memorable couple of days, They are high quality humans and absolute pros. From the very first contact to the final delivery of our amazing videos all I can say is just thank you. I'm so glad we chose you. We are forever grateful for what you have given.”
JO & STEVE
I’m Gregg (he/him) — and I’m the reason your words don’t disappear into the wind.
I’m the lead audio engineer, the quiet problem-solver, and the one thinking three steps ahead so the day stays intact instead of turning into a production. While we’re moving through weather and landscape, I’m paying attention to sound, pacing, logistics, and the details most people don’t realise matter until they do.
Simon and I didn’t meet in the wedding world. We met studying music technology, recording artists, chasing atmosphere, learning how to capture sound in places that don’t behave. Studios. Live sets. Uncontrolled environments. That background is the spine of what we do now.
Because for me, sound isn’t decoration.
It’s memory.
I’m obsessive about audio in the best way. Clear, intimate vows in open landscapes. Words carried through wind, rain, nerves, and silence. I believe what people say matters just as much as what they do, and that belief shapes every film we make.
I’m creatively fuelled by music, time outside, and real connection not trends, not noise. Whether I’m walking somewhere quiet in Scotland or sitting with a good playlist and a pint, I’m always listening for atmosphere. That attention shows up in how the films feel, not just how they look.
Outside of work, I’m a dad and newly married too, which means I understand the pressure, the noise, and the temptation to do things the “right” way instead of the honest way.
I’m calm. Grounded. Unflappable.
And very good at helping couples cut through the bullshit and focus on the part that’s real.
“I CARE ABOUT CAPTURING *SCOTLAND ELOPEMENT VOWS
SO THEY SOUND AS REAL AS THE MOMENT FELT.”
GREGG
* Might as well keep the key stuffing theme going.
